• Plate, 1963, glazed stoneware, torn, sliced, gouged, sgraffito. Scripps College, Claremont, California, gift of Mr. and Mrs. Fred Marer. Courtesy the Voulkos & Co. Catalogue Project. Photo © schoppleinstudio.com.
  • Plate, 1962, glazed stoneware, torn, sliced, gouged, sgraffito. Collection of Oakland Museum of California, gift of the Art Guild of the Oakland Museum Association, A62.87.4.
  • Little Big Horn, 1959, glazed stoneware and slip, thrown and slab constructed, paddled, gouged, perforated. Oakland Museum of California, gift of the Art Guild of the Oakland Museum. Association in Memory of Helen Schilling Stelzner, 1963. Courtesy the Voulkos & Co. Catalogue Project. Photo © schoppleinstudio.com.
  • Josephine, 1961, glazed stoneware and slip, thrown and slab constructed, ripped, sliced. Private collection.
  • Cross, 1959, glazed stoneware, thrown and slab constructed. Museum of Arts and Design, gift of the Johnson Wax Company, through the American Craft Council, 1977. Courtesy the Voulkos & Co. Catalogue Project. Photo © schoppleinstudio.com.
  • Covered Jar, 1953, glazed stoneware and slip, wax-resist decoration, sgraffito. Museum of Arts and Design, gift of Aileen Osborn Webb, through the American Craft Council, 1967.
  • Covered Jar, about 1953, glazed stoneware, wax-resist decoration. The Buck Collection through the University of California, Irvine.
  • Blue Remington, 1961, vinyl paint and lacquer on canvas. Collection of Tanya Kovaleski.
  • Rocking Pot, 1956, stoneware and colemanite wash, thrown and slab constructed, assembled. Smithsonian American Art Museum, gift of the James Renwick Alliance and various donors and museum purchase, 1983.
  • USA 41, 1960, glazed stoneware and epoxy paint, thrown and slab constructed, seamed. Corcoran Collection, gift of Wayne Parrish, 2015.1
  • Sitting Bull, 1959, glazed stoneware and slip, thrown and slab constructed, paddled, sgraffito. Santa Barbara Museum of Art, bequest of Hans G. M. de Schulthess, 1965.
  • Red River, about 1960, glazed stoneware, slip, and epoxy paint, thrown and slab constructed, gouged, sgraffito. Whitney Museum of American Art, New York, gift of the Howard and Jean Lipman Foundation. Courtesy the Voulkos & Co. Catalogue Project. Photo © schoppleinstudio.com.
  • Red Through Black #3, 1959, vinyl paint, sand and clay on canvas. Fine Arts Museums of San Francisco, gift of Manuel Neri, 1996.167.1.

Iconoclastic Ceramics

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